This blog is a place for all Photography students on the Foundation Diploma in Art and Design at Birmingham Metropolitan College to post work in progress. Everyone is encouraged to post work regularly and to comment on the work posted by fellow students. This blog serves as a forum for discussion and communication.
Tuesday, 30 November 2010
3
End of Project Presentations
Please follow the link to the previous post on what is required for your presentation to your peers in week 6:
http://bmetphoto.blogspot.com/2010/10/week-6-presentations-and-group-critique.html
http://bmetphoto.blogspot.com/2010/10/week-6-presentations-and-group-critique.html
Sunday, 21 November 2010
Thursday, 18 November 2010
London Photography Shows
The National Portrait Gallery Nov. 11th - Feb. 20th
The Taylor Wessing Photographic Portrait Prize 2010 presents the very best in contemporary portrait photography, showcasing the work of talented young photographers and gifted amateurs alongside that of established professionals and photography students.
David Chancellor for Huntress with Buck from the series Hunters |
V & A Museum - 13 October 2010 - 20 February 2011
Shadow Catchers: Camera-less Photography
The essence of photography lies in its seemingly magical ability to fix shadows on light-sensitive surfaces. Normally, this requires a camera. Shadow Catchers, however, presents the work of five international contemporary artists - Floris Neusüss, Pierre Cordier, Susan Derges, Garry Fabian Miller and Adam Fuss - who work without a camera. Instead, they create images on photographic paper by casting shadows and manipulating light, or by chemically treating the surface of the paper.
Images made with a camera imply a documentary role. In contrast, camera-less photographs show what has never really existed. They are also always 'an original' because they are not made from a negative. Encountered as fragments, traces, signs, memories or dreams, they leave room for the imagination, transforming the world of objects into a world of visions.
SouthBank Centre - Friday 12 November 2010 - Sunday 5 December 2010
World Press Photo 2010 - Level 2 Foyers at Royal Festival Hall
The annual World Press Photo Exhibition is the best known of World Press Photo's activities and is a leading event in the organization's calendar.
Every year following the World Press Photo Contest, the winning images go on tour. In April, the exhibition is officially opened in Amsterdam and can be seen at venues around the globe until March of the next year. The tour program takes in approximately 100 cities in 45 countries and is still expanding.
Every year following the World Press Photo Contest, the winning images go on tour. In April, the exhibition is officially opened in Amsterdam and can be seen at venues around the globe until March of the next year. The tour program takes in approximately 100 cities in 45 countries and is still expanding.
Pietro Masturzo |
Tuesday, 16 November 2010
High and Low angle
These photographs a took with a 30 sec exposure on f32 iso 200 with monochrome processing
they go along loosely with my project idea of the contrast between beauty and subjectivity
Week 3 - This is Where You Should Be
WEEK 3 – FOUNDATION PHOTOGRAPHY - ASSESSMENT 14th DECEMEBER
- Sketchbook check – up to date with homework, research, blog, and journal? Are you on track in your Exploratory Stage?
- In class tasks:
1) Studio Portraits and Lighting, incorporating long exposures
2) Perspective and how to use it – High and Low Angle Perspective
3) Revisit past assignments: Photograms, Long Exposure Portraits, and Long
Exposures
4) Sketchbook and Research Maintenance
- Journal Entries
Discuss a conflict within your work or working practice that has challenged you. Was it in creating ideas, executing ideas, editing your work, dealing with subjects/location, fulfilling your own personal goals? How did you address this conflict, and hopefully, overcome it? Did it lead to 'better' work in the end?
Action Plan for next 3 weeks – What, where, why, when, how am I going to make work for my project? What do I need to do to make this happen?
- HOMEWORK:
Make work!
Artist Research representing studio portraits/lighting:
Eve Arnold
Richard Avedon
David Bailey
Cecil Beaton
Guy Bourdin
Look into the use of perspective – find examples of high and low angle photography – Double Page Spread – What is the advantage, feeling, purpose of different angles?
Incorporate some of the class tasks into the making of your own work – for instance use of portraits, lighting, perspective and movement.
Saturday, 13 November 2010
Jim Goldberg
I really like the composition of the image in the middle by Jim Goldberg, I am going to try and make my own version ....:) using the photos i took at a boxing match i went to last night x
Friday, 12 November 2010
Thursday, 11 November 2010
Tom Parker x3
Here i started the shot upclose to the camera then jumped back a few seconds into the exposure. I was would liek the shot more if both images were more clear.
Bonfire Night
The sense of outer body madness!!!!
College Road
This picture makes me feel as if time is passing me by while i standing still because the lamp-post and street are crisp in comparison to the moving cars and lights.
not one of us
Week 2 photography
The exposure I used for this photograph was 1 second and the aperture to 30.
I like the way this photo turned out because it looks like the room is moving whilst i'm staying still and it drags you into the center of the photo. I wish that I would have captured an image of someone else and thought about the composition more.
my name out of lights :)
Something dancing
Kerry Burns
Check out my blog - http://www.creativekez.blogspot.com/
Wednesday, 10 November 2010
Photos That Are Too Hard To Keep
I couldn't stop looking at this. Every image. The project, the idea, the humanity of it captivated me. I searched the images, spoke the narratives in my head, made the judgments and jumped to conclusions, felt the butterflies and the pains.
http://toohardtokeep.blogspot.com
http://www.jasonlazarus.com/#/work:19:t.h.t.k./media:527:
From NPR:
http://www.npr.org/blogs/pictureshow/2010/11/09/131188172/snapshots
The snapshot might not be the most beautiful of images, but that doesn't mean it can't be art. Maybe not on its own merits, but with context, more conceptually, it can teach us something about how we create our life stories. Jason Lazarus, a photographer and instructor at the Art Institute of Chicago, is interested in the way people organize their experiences, and in the personal archive of images we create. In a way, Lazarus brings photos back from the dead.
More specifically, Lazarus is interested in images with intensely personal meaning to their owners — even if he doesn’t know what that meaning is. That’s why he started his project, "Too Hard To Keep," in which he solicits emotionally charged photographs that people might otherwise destroy.
http://toohardtokeep.blogspot.com
http://www.jasonlazarus.com/#/work:19:t.h.t.k./media:527:
From NPR:
http://www.npr.org/blogs/pictureshow/2010/11/09/131188172/snapshots
The snapshot might not be the most beautiful of images, but that doesn't mean it can't be art. Maybe not on its own merits, but with context, more conceptually, it can teach us something about how we create our life stories. Jason Lazarus, a photographer and instructor at the Art Institute of Chicago, is interested in the way people organize their experiences, and in the personal archive of images we create. In a way, Lazarus brings photos back from the dead.
More specifically, Lazarus is interested in images with intensely personal meaning to their owners — even if he doesn’t know what that meaning is. That’s why he started his project, "Too Hard To Keep," in which he solicits emotionally charged photographs that people might otherwise destroy.
Tuesday, 9 November 2010
1st Photography lesson
I was looking at long exoosure and light so was trying all sorts of
things with light.
I tried to use light that did not move, so I used the camera movement instead.
I than used the ipod light to show light movement.
The letter S drawn with the light of the ipod.
things with light.
I tried to use light that did not move, so I used the camera movement instead.
I than used the ipod light to show light movement.
The letter S drawn with the light of the ipod.
Subscribe to:
Posts (Atom)